Flash & Short Fiction
Short fiction with bite. I write twisty, character-driven stories where things rarely end up where they started, except maybe the bodies. Updates weekly(ish). Come for the plot, stay for the emotional damage.



Flash & Short Fiction
Short fiction with bite. I write twisty, character-driven stories where things rarely end up where they started, except maybe the bodies. Updates weekly(ish). Come for the plot, stay for the emotional damage.
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The Antique
I really connected with this story. The pacing was natural, and the emotional scenes felt very real. I just wanted to mention a couple of minor things.
Lorelai Marie


The Last Email
Your story has great lessons to teach readers.
SHISHI SOLOMON


The Rehearsal
I like the role shift. It makes you wonder how they are really related. I lke the ambiguity.
Jerry Koleski


The Rehearsal
⭐⭐⭐⭐⭐ ♥️♥️♥️♥️♥️
20eight xxviii


The Rehearsal
This isn’t a gimmicky “gotcha.” The reveal that Celine is actually a wronged wife—and that this conversation with John is part of her own real revenge—recontextualizes every line that came before. When she says, “I have another meeting. Someone who is very invested in this outcome. I’d hate to keep your actual mother waiting,” the reader realizes: Celine never broke character. She just wasn’t playing the role John paid for, a nicely presented subject.
Raji Koshy


The Rehearsal
Excellent story! A reminder that karma is a bitch!
Brenda Lorenz

